![]() Once we open the musical vaults of Antonio Vivaldi, the options are almost unlimited. 5-12 (MHS-11085Z) by the English Concert on period instruments, conducted from the harpsichord by Mr. ``The Four Seasons'' is marvelous music, especially in the compact disc version by Trevor Pinnock and the English Concert (DGG Archiv Produktion - 400-045-2), but why stop with just the first four pieces of Opus 8? Why not look into the equally brilliant numbers 5 through 12 of this same opus which, in its entirety, is known as ``Il cimento dell'armonia e dell'inventione,'' or ``The Contest of Harmony and Invention''? The recording I most admire of this exceptional music is available only by mail from Musical Heritage Society (1710 Highway 35, Ocean, NJ, 07712): an elegant reading of Op. Take, for example, the compositions of Antonio Vivaldi, who is familiar to many listeners entirely on the basis of the first four concertos, called ``The Four Seasons,'' of his elaborate 12-part Opus 8. And this seems a bit of a shame, given the treasury of accessible and accomplished 17th-century music that is still largely unknown. ![]() But now, recording the golden oldies of the Baroque has faded from fashion. Almost at once a search began for other ``Great Hits of 1700.'' As a result, we now have a long list of recordings of lovely adagios and airs by various Baroque composers. This orchestral version of an organ piece by the little-known 17th-century German composer became a hit. Then, quite suddenly, recording after recording was released of Pachelbel's Canon in D. A DECADE ago, audiophiles rarely encountered the music of an obscure Baroque composer by the name of Johann Pachelbel.
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